Article Gold Open Access 2026

The Importance of the Teacher–Researcher–Artist in Curriculum Design, Development and Assessment in Vocational Education in England

Education Sciences
Journal · Vol. 16 · Issue 1 · Art. 24
Abstract

Set in the vocational education and training sector in England, this article draws attention to how top-down, centre–periphery approaches to curriculum design and development in vocational education fail for at least three reasons. First, they misconstrue the nature of knowledge. Second, they lead to perfunctory and fragmented approaches to curriculum design, coupled with mechanistic measures of quality and achievement, which often require little more than “one-off” and superficially assessed demonstrations of performance. Finally, they underplay the role and importance of the teacher as researcher and artist in putting the cultural resources of society to work in creative curriculum design and pedagogy. Teacher artistry is pivotal in animating and heightening the vitality of vocational curricula. It is through this artistry that teachers make theories, ideas and concepts in vocational subjects and disciplines accessible and meaningful to all learners in coherent ways in the contexts of their learning and their lives. The consequences of the epistemic faux pas underpinning centre-to-periphery models of curriculum design and development are highlighted in this article in vocational tutors’ accounts of experiences of problems and issues in curriculum design, development and assessment encountered in their practice. Participants in the research teach in a variety of vocational education settings, including Apprenticeships and Higher-Level Technical Education; English Language at General Certificate of Secondary Education (GCSE) level; Health and Social Care; Information and Communications Technology; Construction (Plumbing); Digital Production, Design and Development and High-Tech Precision Engineering. Data are analysed and reported through systematic, thematic analysis This article draws upon qualitative data derived from a study funded by the Education and Training Foundation (ETF) in England over a two-year period from 2021 to 2023. The research population consists of a group of eight practitioner–researchers working in three colleges of Further Education (FE) and one Industry Training Centre (ITC) in England. All of the teachers of vocational education reported here volunteered to participate in the study. Research methods include semi-structured interviews, analysis of critical incidents and case studies produced by practitioner–researchers from across the FE and Skills sector in England. © 2025 by the author.

Keywords

Author Keywords

Vocational education curriculum design and development forms of knowledge multimodal assessment teacher–researcher–artist theory-practice relationships

Index Keywords

Author Affiliations
Faculty of Education, University of Sunderland, Sunderland, Tyne and Wear, United Kingdom
Funding & Acknowledgements
Grant: RI 17/18.5
This research was funded the Education and Training Foundation. Grant Number RI 17/18.5.
References 10 References
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8 Letting Art Teach, (2017)
9 World Centred Education A View for the Present, (2022)
10 Educacao Sociedade Culturas, (2024)
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